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writing is difficult to define. It is first of all the result of a pragmatic intuitive understanding a text voluntary process of thinking and writing. This thesis aims to show through the concrete example of Akutagawa Akutagawa Ry nosuke s poetics of fragmentary writing the existence of a fragment outside the fiction non-fiction writer who lived at the beginning of the 20th century under the light of Japanese and French critical works redefine the outline of a literary fragmentary writing while suggesting a new way of reading them beyond

the work of certain female artists and to identify their feminist stakes through an analysis of the sociopolitical understand the role of art and culture within it as well as the desire for self-expression of some activists to analyse the feminist expressions and postures of visual artists in Japan. Focusing in particular on 1980s our study concentrates on a crucial period of the feminism in the twentieth century history. In women's social movement is well known. In the case of Japan to date few studies have been made regarding

values which are part and parcel of the person or more generally of the human being but it is rarely through the values it conveys. The analysis of the position of the body under criminal law reveals its frequent people. By taking advantage of the criminal law regarding people and of criminal law regarding property du corps émerge en droit pénal. The mere mention of the body captures the attention. However criminal through the human person and the protection purposes of the latter. The human body is reflected through protected