Résultats de recherche

  • Condorcet and the First French Republic 15 30-16 30 Geneviève ROUSSELIÈRE Duke University Finding the Sources University The Moral Limits of Bargaining 10 00-11 00 Charles GIRARD Université Lyon 3 The Value of Democratic break 11 30-12 30 Thomas CHRISTIANO The University of Arizona The Basis of Political Equality 12 30-13 and the Problem with Books 15 35-16 10 Blondine DESBIOLLES Université Lyon 3 Masses and Elites The Consumption PROGRAMME Mardi 3 Juillet POLITICAL EQUALITY IN THE HISTORY OF POLITICAL THOUGHT 9 00 opening 9 30-10 by the Research Program Challenges to Mass Democracy Jefferson Fund FACE with the support of the Ecole Ecole doctorale de philosophie ED 487 and the Groupe de recherche en philosophie du droit de Lyon DroitPhiL limited. Please register with Charles Girard and in the limit of available spaces.
  • occasion de la parution de son ouvrage Montaigne and the Tolerance of Politics OUP 2018 Réponses de Philippe COMOD IRPHIL UNIVERSITÉ LYON 3 UNIVERSITÉ DE LYON THE UNIVERISITY OF CHICAGO CENTER IN PARIS
  • occasion de la parution du volume Curiosity and the Passions of Knowledge from Montaigne to Hobbes Roma COMOD IRPHIL UNIVERSITÉ LYON 3 UNIVERSITÉ DE LYON THE UNIVERISITY OF CHICAGO CENTER IN PARIS
  • Temps et mémoire dans l’oeuvre de Chu Tien-hsin, la quête d'une subjectivité insulaire dans le roman in the first decade after 1987. The work of female novelist Chu T'ien-hsin in which memory is the central of her novels the dissertation interrogates on the one hand what the desire or even the obsession to relate associated with the torments and mutations of history. With the aim of accommodating the analysis of the social in Taiwanese literature in the aftermath of the lifting of the martial law in 1987. It further examines this articulation the analysis presents the forms of politicisation as well as the forms of depoliticisation
  • The handmaid's tale et le droit internationale public Lyon 3. Débats 12h30 Pause déjeuner 14h00 PANEL 3 THE HANDMAID S TALE SURETÉ NUCLÉAIRE ET DROIT DE L ENVIRONNEMENT international et assistante juriste auprès du magistrat. - The Handmaid s Tale à l aune du droit international de PANEL 4 LE DROIT INTERNATIONAL PÉNAL DANS L OEUVRE THE HANDMAID S TALE Modératrice Kiara NERI Maître de de conférences HDR à l Université Lyon 3. The Handmaid s Tale et la Cour pénale internationale entre réalité The handmaid's tale et le droit internationale public [Colloque] : The handmaid's tale et le droit international public
  • ouvrage C. Jon Delogu Tocqueville and democracy in the Internet Age publié un nouvel ouvrage Tocqueville and democraty in the Internet Age Open Humanities Press MPublishing University de C.Jon Delogu : "Tocqueville and democracy in the Internet Age". Tocqueville and democracy in the Internet Age Visuel couverture Tocqueville and democracy in the internet age
  • Distinguished Service Professor of Law and Ethics at the University of Chicago
  • and Philosophical Influences on the Chinese Poetry of Feng Zhi: The Sonnets reflections of the sonnets make Feng Zhi a metaphysical poet. The lyrical self engages with the surrounding experiences through the power of imagination the meditation on spatial and temporal infinity the recognition approach redefines the poetic subject s relationship with the outer world and the subject s final perception cosmos dans son ensemble The research conducted in this work focuses on the intertextuality between German and the sonnet collection of modern Chinese scholar and writer Feng Zhi. This study analyses the extent
  • digital screens in the twenty-first century. In the first part of the book Carbone examines the ways that Sartre film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary as well as the mutation of philosophy that such a pervasiveness seems to require. In The Flesh of Images Philosophy-Screens broadens the work undertaken in this earlier book looking at the ideas of other twentieth-century grappled with the philosophical significance of cinema as a novel aesthetic medium unfolding in the twentieth <span lang="en">From Cinema to the Digital Revolution</span>