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Nijmegen the Netherlands -Radboud s Centre for Language Studies CLS CNRS U. Paris 8 The Morphemic Metaphony the Neuter and Feminine gender. The puzzle of the hidden triggers directions in metaphony The workshop is supported and cofunded in France by the following institutions University of Paris LABEX The Laboratory of Excellence Advanced studies on the complexity of Language ASLAN Phonetics and Phonology in Europe Speech Variation in the Wild Consulter la présentation du Workshop Conférenciers Lloret University of Barcelona Spain Constraining the scope of metaphony in southeastern peninsular Spanish

The conference will take place exclusively online. Registration seminaire.egalibex@gmail.com Jerusalem Break 16 30-18 30 - Panel 2 The structure of public debate The arenas of public debate various dimensions 21 Avril 10 30-12 - Panel 3 The dimensions of freedom of expression The active profile of freedom of democratic interpretation of freedom of expression the stance of the Strasbourg Court Helen FENWICK Durham University 13-15 - Panel 4 The standards of public debate Securing an informed public free speech and the challenges Berlin former Judge of the Federal Constitutional Court Freedom of expression in the common law its role

The New World Smoke 3 rue Saint Georges 69005 LYON

The Riverscape of the Yangzi’s Three Gorges: Landscape and the National Imaginary in the People’s Republic thesis examines the relation between landscape and the national imaginary in the context of the Yangzi s Three economic. First the study of the political dimensions highlights the commodification of the Three Gorges performed by the State through the invisibilisation of the landscape s disappearance as well as the massive resistance. Third the study of the economic dimensions considers the inside of the riverscape with an village located at the entrance of the Qutang Gorge and reflects upon the issue of the absence of landscape

Paper Worlds : The Chinese Utopian Novel at the Beginning of the Twentieth Century, 1902-1910 for the understanding of the utopian construct the third chapter concerns the relation between the late intention to identify and define the genre of the late Qing utopian novel from the close reading of a selection introduced by the translation of the short story Xinnian meng written by Cai Yuanpei in 1905. The body of this is divided into five chapters in the first one the legitimacy of the generic category of wutuobang xiaoshuo while in the last two chapters the critical framework developed in previous sections of the thesis is